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Views Read Edit View history. The painting carries many of the traditions of depictions of the nude in Spanish art, but marks a clear break in significant ways, especially in her bold gaze. Retrieved 9 August From Wikipedia, the free encyclopedia. It is not known if the two works were intended to be hung together. The identity of the model and why the paintings were created are unknown. Contra el bien general c. On 16 March the tribunal of the Inquisition issued a subpoena for Goy appear, "that he might acknowledge and declare the works to be his, why he created them, at whose request and to what end. Click Image to view detail. Goya jettisons "excuses" for the nude. It is commonly alleged that Goya sought to create companion paintings, either in the style of Titian , whose Venus and Adonis complements the Dana when the two are placed face to face, or along the lines of Juan Carreno's Monstruas Museo Nacional del Prado, Madrid , naked and clothed. Guests in Godoy's private study hailed as the most lofty incarnation of female beauty. subsequent centuries have acclaimed her as the prototype of Spanish womanhood.

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Description: Contra el bien general c. The pallor and chill of the lighting and the chosen rai of color, her positioning, and her level of exposure to the viewer all recall the Ariadnes of classical sculpture. The maja reclines on a green velvet sofa, covered by a sheet and a pillow adorned with lace, astonishing in its delicate transpareni and tonal gradation. Although the two versions of the Maja are the same size, the sitter in the clothed version occupies a slightly larger proportion of the pictorial space. according to art historian Janis Tomlinson she seems almost to "press boldly against the confines of her frame", making her more brazen in comparison to the comparatively "timid" nude portrait. His reply, if any, remains unknown. If true, such an account supports arguments that the duchess herself served as the model, and that, as Viardot suggested in , she ordered the head altered to conceal her identity. But to grasp Goya's genius we need only note the novel concept of female nude he had assumed. Others believe that the woman is a composite of several different models. Two sets of stamps depicting La maja desnuda in commemoration of Goya's work were privately produced in , and later approved by the Spanish Postal Authority. Goya created a pendant of the same woman identically posed, but clothed, known today as La maja vestida The Clothed Maja . also in the Prado, it is usually hung next to La maja desnuda.
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